THE FEED
AMAZONE PRIME
DNEG DMP SUPERVISOR
This is a very specific matte painting done in Pre-Production to be use directly on set. Here you only see still images but it was actually comped back in Nuke on the original moving plate to get as much life as possible on The Thames. DMPs were played on huge LED screen to get nice reflection on the set and correct lighting on the characters and to avoid green screen on the shoot.
Here we shot London during different time of the day. I then design the new skyline and with the team we did the final paintings
It was done during my time at DNEG as DMP Supervisor for the Amazon Prime Serie The Feed.
Here we shot London during different time of the day. I then design the new skyline and with the team we did the final paintings
It was done during my time at DNEG as DMP Supervisor for the Amazon Prime Serie The Feed.
